
The editing is very slow and each scene fades or dips in to the other therefore giving the trailer fluidity. The colours in the trailer and magazine cover are quite earthly and naturual so represent the grittiness of the situation which Audrey is in. On the magazine cover, Becky as Audrey is looking away from the camera which would make the reader think that she is deep in thought, this is also shown in the trailer as becky gently goes back and forth on the swing in the playpark. This was intentional so each piece had a link and continuity. Another link is the font in each piece, unfortunately i was not able to gain access to the font for my credits on the trailer so i chose one very similar, the font was intended to give the audience a personal feel as it is almost like handwriting.
The poster is incredibly basic yet proved to be very popular with my audience, they got the relationship between the character just from the poster. My intentions were for Sam as Luke to look quite vacant which is juxtaposed with Becky as Audrey's look of hope. I feel that the poster went with the normal conventions of a real film poster as it captures the overall tone of the film. The magazine cover has adopted all the classic attributes of Sight and Sound magazine, it is simple and attractive. I realised that Sight and Sound magazine always has a special therefore i came to the decision that it would only be right to do the same so i made mine a 'Teen Talent' Special which as far as i know they havent yet done. The trailer, magazine cover and poster all have the same house style. The audience all got the preferred meaning (Stuart Hall) of each media text created.

I asked the audience what would they expect from a coming of age film and they answered 'a definate journey of one character overcoming a problem' which i feel was very well represented in the trailer. The trailer itself follows Todorovs narrative theory of equilibrium (audrey before the picture message), disequilibrium (audrey after the picture message), new equilibruim (audrey getting on with her life and overcoming the situation). This is highlighted with the music gradually leading up to a crescendo and then coming back down again. The trailer does incorporate Vladimir Propp's theory of characters, we have Audrey as the Heroine, Ash as the helper, Cindy and Pam as the villains and Luke as the hero. However the hero is actually a girl, reversing the theory and challenging it.
My audience said that they liked the part of the trailer where Audrey walked past Luke in the street which was incidently my favourite part too! They also gave two pieces of critisism, that was that the voiceover wasnt loud enough and that the first section with Audrey and Ash looked too staged. If i could go back, i would record the voiceover with better equiptment therefore not picking up any other sounds but the voice.
In order to create the trailer, i used Adobe Premiere Elements because it was accessible and easy. I taught myself to do transitions between scenes, clip scenes, remove and add sound and edit the music. Photoshop was used for both the poster and magazine cover because i know how to use it and it allowed me to be as imaginative as possible with editing photos, warping fonts and playing with colours. I had to be especially careful with the continuity in my trailer, i had to make sure that no one cut or died their hair at all!
The book on which this is based, i read a couple of years ago therefore i believe that it would target the many many readers it has. It would also be publiscised on facebook to grab the attention of the target audience. This is a very popular way of advertising nowadays. Because of the low budget/not known actors, my film would probably be shown in arthouse cinemas and produced by a company such as Goldcrest Pictures and Distributed by Optimum Releasing. The audience also agreed with this as they are both companys that deal with low budget arthouse films.
































